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            <title xml:lang="es">La sicaresca colombiana o la crónica de una Muerte ordinaria</title>
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            <idno type="halRefHtml">&lt;i&gt;Amerika&lt;/i&gt;, 2015, La mort : imaginaires et sociétés, 12</idno>
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                <title xml:lang="es">La sicaresca colombiana o la crónica de una Muerte ordinaria</title>
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                <title level="j">Amerika</title>
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                  <publisher>Université Rennes 2</publisher>
                  <biblScope unit="serie">La mort : imaginaires et sociétés</biblScope>
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                  <date type="datePub">2015</date>
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                <term xml:lang="en">Columbia</term>
                <term xml:lang="en">hired killer</term>
                <term xml:lang="en">novel</term>
                <term xml:lang="en">death</term>
                <term xml:lang="es">Colombia</term>
                <term xml:lang="es">Jorge Franco</term>
                <term xml:lang="es">Fernando Vallejo</term>
                <term xml:lang="es">Laura Restrepo</term>
                <term xml:lang="es">sicario</term>
                <term xml:lang="es">sicaresca</term>
                <term xml:lang="es">novela</term>
                <term xml:lang="es">muerte</term>
                <term xml:lang="fr">mort</term>
                <term xml:lang="fr">roman</term>
                <term xml:lang="fr">sicaresque</term>
                <term xml:lang="fr">sicaire</term>
                <term xml:lang="fr">Colombie</term>
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              <p>In the 80s and 90s, thanks to the prospering drug trafficking, appeared in Colombia a new type of criminals, hired killers that the cartels recruited among disillusioned teenagers coming from the poorest districts of Medellín. With this widespread violence, death became common, omnipresent and threatening in the Colombian society. This phenomenon interested the literary sphere and several authors started to focus the story of their novels on this violence originated by drug, until appeared the word “sicaresca”, inspired by the “picaresca” of the Spanish Golden Age, to define that literary genre. Through three novels, Rosario Tijeras by Jorge Franco, Leopardo al sol by Laura Restrepo y La Virgen de los sicarios by Fernando Vallejo, this article will first analyse the different facets of Death in the “sicaresca” and then, question its sacred or ordinary aspect, and the unprecedented duel which seems to pit life and death in that narrative.</p>
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              <p>En la Colombia de los años 80 y 90, el floreciente narcotráfico permitió la aparición de un nuevo tipo de criminales, unos sicarios que los cárteles reclutaban entre los adolescentes desilusionados de los barrios más pobres de Medellín. La violencia se generalizó y la muerte se hizo entonces común, omnipresente y amenazante en la sociedad colombiana. El mundo literario se apoderó del fenómeno y varios autores empezaron a centrar la trama de sus novelas en esta violencia engendrada por la droga, hasta que apareció la palabra “sicaresca”, inspirada de la picaresca española del Siglo de Oro, para definir este género literario colombiano. A través de tres novelas, Rosario Tijeras de Jorge Franco, Leopardo al sol de Laura Restrepo y La Virgen de los sicarios de Fernando Vallejo, este artículo tratará de analizar primero las distintas facetas que presenta la Muerte en la sicaresca antes de interrogarse sobre su dimensión sagrada u ordinaria, así como sobre el duelo inédito que parece oponer vida y muerte en esta narrativa.</p>
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